My process,
more often than not,
starts with ‘found’ images, usually from the press. By deconstructing the elements of such images, and repeating and mixing their elements I try to uncover a buried semiotic, and possible emotional attachment.
In this process of understanding and appropriating images, I start a series that might go on for years, as series permeate each other developing narratives within bodies of work.
This appropriation of somebody else's image, manifests in paintings, drawings, sculptures, site-specific projects... In my work, and as a result of the continuous repetition of dissected elements, disparate elements and techniques intertwine , seeking to provoke an unique hermeneutic.